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KNAT
Volume 2, Issue #7
January 2008

Hello you wonderful Ketron users.

Welcome to the seventh issue of the NEW KNAT. We have some wonderful contributors to the new version. I will be including regular contributions from such people as Barry Crane of BCK in Great Britain, Bob Hughes of the Solton/Ketron Club, Leon or Ted Kraus of CMC Distributors, as well as contributions from various expert Ketron users.

If you are getting this newsletter and don't want it you can go to the link on the bottom of the email and you can delete yourself forever.

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In this Issue:
1) News from CMC and NAMM by Leon Kraus
2) Barry Crane takes the issue off.
3) How the send style change information on a wireless accordion by Fred Lospennato
4) Jay will be back next issue.

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CMC Distributors is the new importer of Ketron products. For many years we have had the fine gentlemen, Lou and Aldo as our helpers and informants, but with their retirement, a new day has dawned for Ketron in the U.S. Again we have two fine gentlemen and their names are Ted and Leon. There will be much to keep us interested. Read on.

We here at CMC Distributors, Inc. (www.KetronUSA.com) are looking ahead with excitement to our second year of distributing the fine Ketron instruments in the US. And we have a lot to be excited with. All this month has been a whirlwind of activity, culminating at our Booth No. 2982 at the NAMM Show in Anaheim, Ca attended to by Ted and Leon Kraus from CMC. For all of you dealers, customers and friends who visited with us, thank you very much. It definitely felt like all of you were here. Your support, warm wishes and comments mean a lot to us and are greatly appreciated. It was a lot of hard work but it was well worth it.

For those few who were not in attendance, we would like to share with you a little bit of the Show highlights. We had a lot of going on. We had the “Audya” front and center, demonstrated by the very talented Robert Messier from Quebec, Canada. And what a fine instrument the “Audya” is shaping up to be. The sound, styles, and technologies are a generation ahead of anything out there. Truly the ultimate Arranger / Workstation. Can’t wait for introduction time in the next few months.

We had Mr. Paolo Marchegiani who graciously flew in from Ketron Italy, to help answer your Ketron questions and give us some company outlook. Thank you very much for all your support at the Show and during the year.

We definitely got many smiles and accolades on our full orchestra in performance. At least with our unique Ketron Sound Modules it sounded as such. We had the amazingly versatile “Ron Crites” playing on his Midi Guitar accompanied by our Ketron SD3 Sound Module. Alongside him, some very beautiful traditional music by the well known “Mr. Sammy Defazio” on the accordion – helped along by our XD3 Sound Module. The interest generated was amazing, well beyond our expectations.

Our keyboard section was well staffed. We had our own talented engineer and master keyboardist “AJ” rotating between the brand new “Audya” as well as our SD5 Keyboard connected to the just introduced Midjay Plus. What a combination of playing talent and technology. Additionally, “AJ” was kept busy doing what he does best. He was able to help all attendees find and decipher many more of the countless programs, shortcuts and functions embedded in their Ketron boards and modules.

Additionally, we had a strong interest and following at our Oriental and Middle Eastern keyboard section, with the very friendly and able “Mr. George Pchakjain” alternating his playing talents between the Middle Eastern VEGA EX4 and the Turkish SX3000 keyboards.

We just got back to the office in NY. We have a lot of work to do, getting back to the many of you fine members of the Music world who have reached out to us at the Show. We will provide all of you requesting so, with latest full color brochures on all the new models including the new “Audya” and “Midjay Plus”. Put in YOUR literature request to us, at Sales@KetronUSA.com.
Until next time “Ciao”.

Note:
CMC site: http://www.ketronusa.com
Jay's site: http://www.ketronus.com

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Barry Crane is one of the leading experts in MIDI technology and has very politely agreed to do a series of articles on MIDI. He will de-mystify it for all of us and help us learn to get the most out of our wonderful Ketron products. This highly informative article is also quite entertaining and easy to read.

BARRY IS TAKING THIS ISSUE OFF TO FINALIZE THE NEXT INSTALLMENT
HE WILL RETURN!!

Barry Crane is the owner of BCK Products in Britain and distributor of Ketron products and some MIDI files and style disks visit him at: http://www.bck.co.uk/

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Bob Hughes has run the Ketron/Solton club for nearly 10 years and is one of the best club moderators around. The club has thrived due almost entirely to the philosophy of musicians helping musicians. It is a great club to belong to. He uses the Midjay in his personal appearances.

Check out the Solton/Ketron Club at: http://launch.groups.yahoo.com/group/solton/

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Fred Lospennato is a fine accordionist who has done massive research with his MIDI accordion and the Ketron XD3. The things he is doing are almost unheard of in the MIDI accordion world. Using his wireless accordion he has developed a system whereby he can change styles, using registrations, on his XD3. Using this method he can also call patterns in addition to built-in styles. Remarkable!! His web site is www.strollingserenades.com. You can email him at cal_cor@verizon.net

Thanks to AJ, Jay Salam and the KNAT tip pages, the Limex folks, my friends Mo Mcnulty, Arthur Welch , all for helping me accomplish this very interesting and useful information. The products speak for themselves, superb. I'm sure there will be many accordionists who will find this useful information as interesting and informative as I have. Fred Lospennato
 

Today is my four year anniversary of my 100% recovery from GBS. Lying in the hospital bed four years ago I never believed I would be strolling, playing and singing again. The story goes complete paralysis, 30 days in darkness, eyes shut tight, 74 days in rehabilitation, 9 months in a wheel chair, several more months with a walker and several more months with a cane. Today with a lot of work and effort I have put all those handicapped tools behind me..I'm booking and playing gigs again, something I thought I would never do again. My music, entertaining, the accordion the XD3 and making people happy was the driving force.  Praise the Lord...The wireless set up has saved me a lot of steps...Placing the medical problem aside, even as we get older we need to preserve our strength. Any way I'm doing it again and with a lot of flexibility,quality of sounds (theXD3) and almost as much strength as I had before.

Limex PRO II and Ketron XD3
 1. I can not send the system exclusive message for Intro and Endings with the Pro ii  , but this Borsini accordion with the pro ii is lighter than the other accordions I own, which makes it easier for me to walk back and forth from the wonderful sounds of  the XD#3 module and foot pedal. I use the spread sheet information on 3/5 cards to identify the 201 styles to eliminate any delay of having to search around for styles.....I have eight 3 x 5 cards. On one side alphabetically and the other side numerically. I'll paste (in case you cannot open the spread sheet) the list herewith and send the attachment of  Microsoft Spread Sheet of the list.  One can easily sort from Alphabetically to Numerically using the spread sheet.
 
Sort by H to get Alphabetical List.
 
Sort by D to get Numerical List.
 
You can also identify 99 styles with the Pro ii reader. One would have to program the Limex Pro ii manually to call up 99 of the 201 styles on the XD3.
 
Limex PRO III and Ketron XD3
2. You can also identify 198 styles with the Pro iii reader ,however,with the Pro iii,  I can send  this hexadecimal number,  * F0 26 7C 1F 7F F7 F0 26 7C 1F 00 F7   (system exclusive message) to wirelessly control the XD3, thus controlling style call up with Intro/Ending information from where ever I'm on the floor.  (198 styles wireless with intros and endings and the remaining 3 styles at the XD3 Pattern section)
I use the computer and the Limex 3.1.0 to program the 198 styles with Intros and Endings for the XD3. Much simpler than doing it manually as with the Pro ii.               
 
* Note, only the forth hexadecimal number and the tenth hexadecimal number of the 12 hexadecimal numbers changes depending on what is call up. In this case the  1F  = Intro and Ending (see the manual of the XD3) 

:You can download the Excel Spread sheet of these setting HERE

You can download the pdf of these settings HERE

You can download the 208 Registrations HERE

If you have any trouble downloading, go to http://www.ketronus.com/KNAT/knat2-7.php and you should be able to download ok from there.

Below is a picture version of the spreadsheet. Fred is more than willing to help any other accordionists that wish to adapt to his system.

Here is some additional information that came in just as I was finishing this. JS

The XD3 is still far ahead of its time I'm discovering.  This may be some interesting information to pass on to the accordion players. An accordion player is able to send data wireless from the Limex accordion to the XD3. A wireless accordion player can call up 198 styles from the floor with intros and endings using the System Exclusive Message ( sysex) for the XD3;
 
 F0 26 7C 1F 7F F7 F0 26 7C 1F 00 F7.    (12 hexadecimal numbers)...string
 
I like this particular message for the XD3 because it gives me Intro/Ending 3 on all the styles with the push of one yellow button.  There are 7 options in the -function start/stop - key, on the Limex PRO III: Start, Intro, Fillin 1. Fillin 2, Fillin 3, Ending, and stop. I put the same message in all seven slots. The only number that changes in the sysex 12 number message number is the 1F, 4th number, and the 1F,10th number  (seeXD3Manual for sysex numbers)   
 
The key trick is to send MSB (0) with program change 1 through 99 for the first 99 styles and MSB (1) with program changes of 1 through 99 for the second 99 styles,( 99+99=198). One must be sure to send all this information on Channel
16 
 
An interesting and important function of the XD3 for those of the accordion players who wish to play the accordion as the music is written. (for example from bass to chord),  In other words one does not have to press a chord first and then a bass button second.  AJ  helped me with this : Fingered on page #38 of the manual and play the accordion just the way the music is written. 
 
I'm so excited about this I probably have forgotten something, so do not hesitate to ask me if there seems to be a void anywhere.  
 
I can call up 198 styles wireless with intros and endings. and I can get the remaining 3 styles from the PATTERNS.
One can not print this invisible Registration but it is in there. So I pressed REGistrations Button and began punching the numbers in the style section....1-198 and the remaining 3...... I called up from the Patterns..
 

MIDI Accordion
MIDI Accordion

MIDI Accordion
MIDI Accordion

 

 
 

Jay Salam is the owner of Ketron U.S. and is the editor of this newsletter. You may send any comments to knat@ketronus.com.

Due to the length and email size of this issue, I am leaving out my contribution this month. I will resume in the next issue.

 

We welcome your feedback. Send all notes to knat@ketronus.com. We would like your comments, suggestions and ideas for future articles.
Sincerely,
Jay Salam and friends.

 

© Copyright 2002-2008 by Ketron U.S.


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